Welcome to Biting-Edge, a blog shared by authors and vampire experts, Mario Acevedo and Jeanne Stein. We’ll cover urban fantasy, vampires, pop culture, and all things Joss Whedon. Unlike other fantasy blogs, we don’t insist on body cavity searches (unless you ask politely). Snarkiness is most welcome...though we won't promise not to bite back!
Sunday, October 24, 2010
Mile Hi Con behind us, up ahead...Halloween with wine! Mario here,
Another Mile Hi Con bites the dust. You mix writers, geeks, booze, and costumes, you're bound to end up with all sorts of nuttiness. This con didn't disappoint.
<----Costumer-extraordinaire Neffra had to show
off her Klingon cleavage.
Ilana and Janene continued to strut their stuff after the costume contest.--->
As expected, Jeanne and Betsy Dornbusch got a jump start on the mayhem by fueling up at the bar and plotting against you-know-who.
Cons are a great time to reunite with writer friends. Warren Hammond (L), Carrie Vaughn, and Paolo Bacigalupi (R).
We had much to celebrate with the recent success of Bacigalupi, winner of a Hugo and a Nebula for The Windup Girl, and as a Finalist for a National Book Award for Ship Breaker.
Jeanne represented the Biting-Edge on the Vampires, Werewolves, Mermaids: Next in Urban Fantasy panel with Author Guest of Honor Rachel Caine (L), and Stephen Graham Jones (R).
Every once in a rare while I surprise myself in a good way. It happened at this con when I met the Artist Guest of Honor Donato Giancola and guessed his major artistic influence. Giancola provided the breathtaking cover illustration for the conference program with a reproduction of his oil painting Mechanic. I complimented Giancola about his impressive ability to render such a convincing red metallic. He said he used a red Christmas ball ornament as a model.
I studied the painting and commented to Gianola that his color palette and style reminded me of the great British painter John Waterhouse (1849-1917).
Giancola brightened at my
observation and replied with an enthusiastic affirmative.
(Waterhouse La Belle Dame Sans Merci --->)
Afterwards we had a wonderful conversation about Giancola's career, his techniques, and our appreciation for Waterhouse and NC Wyeth. Made me want to get back to the easel ASAP, and I will.
One topic among us writers is that in our stories, for all our struggles against formula, we can still unwittingly wallow in the tropes of our genre. If you want to churn through the banal and overdone concepts of the small screen, check out the website TVtropes.org
I'm the guest blogger on Readaholic's Scarefest with my essay, Why I Love Halloween. Thanks for the invitation, Bridget.
Since this is the season of witches and things that can make you go e-yeew! in a big way, we must share these videos.
First: from author Deborah Harkness, whose debut novel A Discovery of Witches, is due out February 8 from Viking.
Harkness is a vintner with an award-winning blog, GoodWineUnder $20. But what about us poor writers? Anything for under five bucks?
I was asked by the AV Club of The Onion to share my favorite horror movie. No contest. John Carpenter's The Thing, and especially for this scene:
Enough with the gross outs. Fortunately, we have Elvira providing some needed and welcome relief (and more cleavage):
It's October, the month for ghosts, ghouls, and frightful tales. With that in mind, I'm teaching a workshop at the Denver Public Library, as part of their Fresh City Life programs, Boo! Scary Stories That Really Scare.
I recently saw Let Me In, the Hollywood remake of the Swedish vampire flick, Let The Right One In. Both movies are entertaining and spooky homages to undead lore and the 12 yo vampire is one of the most vicious and creepy bloodsuckers on screen.
Interestingly, the American version kept the original's bleak and low-rent atmosphere. Though having been in Los Alamos, I remember it as an upscale burg peopled with PhDs and brainy folks employed at the nearby nuclear weapons labs.
Also, New Mexico winters are much like Denver winters; we don't get days of unrelenting gloom like in the movie. It might stay cold as hell for weeks on end, but the sun does come out to torment us with hopes of warmth.
Because I write vampire novels, readers assume that I was always an aficionado of monsters and all things undead. Actually, I wasn't. Vampires and zombies never creeped me out, and I thought monster movies were silly.
But there were a couple of things that terrified me. Deeply.
La Llorona.
In the Southwest we have the tale of La Llorona, the wailing woman who haunts rivers and lakes. According to legend, before she became La Llorona, a woman went mad and drowned her children. She now stalks the waters and lures the unsuspecting to their doom, hoping to assuage her torment and replace the souls of her damned children with those of her victims. As kids we were constantly reminded of La Llorona with stories of actual eye-witness accounts. Would our aunts and their boyfriends lie to us? Even as late as junior high, if my friends and I had to return home at night, we took the long way rather than shortcuts using the ditch banks crisscrossing my home town. We picked up sticks and rocks to defend ourselves in case we ran into La Llorona.
And the other thing that terrified me to fits was the threat of nuclear war.
Duck and cover drills had been forgotten by the time I was in elementary school, or else nobody thought the Commies would waste a nuke on Las Cruces. But I knew about the possibility of nuclear attack from the Civil Defense pamphlets my dad brought from the army reserves. The television would also broadcast the occasional CD public announcement, frighteningly surreal with their bizarre use of cartoons and marionettes to blunt the horror of atomic annihilation.
I read a lot of airplane and history books and so even as a little kid I was familiar with modern bombers, ballistic missiles, and Hiroshima. Movies like The Time Machine showed the consequences of atomic war and made the prospect of a nuclear Apocalypse ever more real.
Then...one October night, the Civil Defense alarm mounted on the local fire house went off. I recognized the constant tone wail. Red Alert! Imminent attack. Fifteen minutes to Armageddon! We were doomed. I broke into a sweat and started bawling. I expected to hear shrieks of terror burst throughout the neighborhood. At any moment a blinding light would burn through my window and the glass would shatter before the inferno consumed us all.
And then... nothing. No panicked mobs in the streets. No flashes of light. No big boom.
Nada.
Only that damn alarm that kept wailing and wailing. As I lay there blotting my tears, I first felt foolish. Then disappointed. No nuclear war. I later found out the alarm was to roust the volunteer firemen. What a gyp.